Power of Consumption

He felt himself squeezed between the mountains and the ocean.

A collapse. Mass and statue. This place has no time. Only paths. Paths and actions. Soon. Right before his death he painted his clothes. A wish to become the landscape. Ingested and accepted. There is a lot of pull. It comes in waves.

Aggressive architecture are holding places for wars and quips. Tell me young ocean. What do you see? Hypointuition. I can tell you the ways the building will die.
City by city. Island jumping by the end. Through the bitter end. Through the thick and thin. The land lays like this. Machines always feel the pain. We made them.
They are always waiting for it.

Energy lost. Donate

Relief is not pleasure. Utter the complete. Bring on the sublime. Build it up past articulation. Letterless. Opinions lay weighted. Too fragile still.
Jump through these hoops. Past the decree. Not vexed by any man for these are surnames of Artemis.

The tallest female in the room. Love her still. Pedestal legs.
Arches for tallness. Arches for structure. Beautify with life. Organisms. Upload or browse. Hone

A courtly love. The darkest dark has blue in it. Keep this in mind. I share this with the structure. Stifle the trail. Full absorption in the field. At times I worry about the coldness of these shapes. Truths are hard to live by. Beautiful news.

Only quadron knows. There is no more petrification as there is no more of anything. Mass storage. The corner carries comfort. It is trifling I almost said of mankind.
Insolence. Four years earlier. In 403

When I dip
you dip
we dip

In some there will always be an other. Give forth to behavior. The flagship vessel is out there. Sightings of Lutra. Trials of consuming. Older posts. Needing new. The repeated stops penetrating. Rescue fruition. Rhetoric is tearing it apart. Spectating the jagged edged horizon. Leave the sculpture alone then. Care not for it. Release it then.
Stay not. When the landscape turns it is time to leave. These are categories like voice and aspiration.

A trickery of the genes. Built for service. Grieving more for the machine than the human as only some things are endless. The dark will. Effusive. The dark matter helps.
Looking southwest for Bradbury's landing. Anacoluthons everywhere.
Past particle fasten. An affirmative gesture.

He drinks the fluid creris for cavelike horizons. There will be only one more after him. The shield is the mirror and a synthetic fourth wall. Someone needs to prove the scale for landscape portraits. Payment upon valor. Guide the flares. Absorb

Measure existence in paths. Enter coma time. Full stop. 4043. Get two sleeps. A radial arm moves to demonstrate.
This is the altitude where decisions get made.

Affix please

-Tiril Hasselknippe

Installation view @ Club Midnight, Berlin, 16.09 - 20.10.2012

Santiago Taccetti, Untitled (Blue Tar), 2012, tar, enamel on canvas, 140 x 180 cm, Unique

Santiago Taccetti, Untitled (Blue Rock), 2012, tar, enamel on rock, aluminium can, 27 x 26 x 10 cm, Unique

Santiago Taccetti, Untitled (Pink Rock), 2012, enamel on rock, aluminium can, 17 x 36 x 13 cm, Unique

Ilja Karilampi, WAREZ_HOUSE, 2012, Jpeg, 652 X 454 pixels, Agfa digital photo frame, 212 x 170 x 18 mm, Unique

Scott King, Let's Talk About Me (Paradise), 2011, Digital print on paper, 150 x 100 cm
ed. 3/10, 4/10, Courtesy: The Artist and Herald St, London, Club Midnight, Berlin

Tiril Hasselknippe, Couches (Solo Vertical White), 2012, wood, steel, leather for boat, foam rubber, 80 x 175 x 100 cm, Unique

Tiril Hasselknippe, Couches (Solo Vertical White), 2012, side view

Tiril Hasselknippe, Couches (Solo Vertical White), 2012, detail

Petra Cortright, So Wet / Night Heat #3, 2011, digital print on silk, 130 x 184 cm, Unique
Courtesy: The Artist and Preteen Gallery, Mexico City, Club Midnight, Berlin

Petra Cortright, So Wet / Night Heat #14, 2011, digital print on silk, 130 x 184 cm, Unique
Courtesy: The Artist and Preteen Gallery, Mexico City, Club Midnight, Berlin

Fredrik Wretman, Hunter, 2012, bronze and steel, 30 x 23 x 9 cm, Unique

Fredrik Wretman, Who Killed who? , 2012, bronze and steel, 17 x 14 x 10 cm, Unique

Rachel Niffenegger, Fused Mask with Pink Eye, 2012, watercolor, acrylic, gouache and spray paint on paper, 77 x 110 cm, Unique

photos by Nick Ash